On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were surprisingly at ease, even though Germany had declared the seas around Britain to be a war zone. For months, German U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era's great transatlantic Greyhounds--the fastest liner then in service--and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack.

Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger's U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small--hubris, a chance fog, a closely guarded secret, and more--all converged to produce one of the great disasters of history.

It is a story that many of us think we know but don't, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour and suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope to President Woodrow Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love.

Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster whose intimate details and true meaning have long been obscured by history.

Erik Larson is the author of eight books, six of which became New York Times bestsellers. His latest books, The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz and Dead Wake: The Last Crossing of the Lusitania, both hit no. 1 on the list soon after launch. His saga of the Chicago World’s Fair of 1893, The Devil in the White City, was a finalist for the National Book Award, and won an Edgar Award for fact-crime writing; it lingered on various Times bestseller lists for the better part of a decade. Hulu plans to adapt the book for a limited TV series, with Leonardo DiCaprio and Martin Scorsese as executive producers. Erik’s In the Garden of Beasts, about how America’s first ambassador to Nazi Germany and his daughter experienced the rising terror of Hitler’s rule, has been optioned by Tom Hanks for development as a feature film.

Erik’s first book of narrative nonfiction, Isaac’s Storm, about the giant hurricane that destroyed Galveston, Texas, in 1900, won the American Meteorology Society’s prestigious Louis J. Battan Author’s Award. The Washington Post called it the “Jaws of hurricane yarns.” Erik is particularly pleased to have won the Chicago Public Library Foundation’s 2016 Carl Sandburg Literary Award for Non-Fiction.

He graduated summa cum laude from the University of Pennsylvania, where he studied Russian history, language and culture; he received a masters in journalism from Columbia University. After a brief stint at the Bucks County Courier Times, Erik became a staff writer for The Wall Street Journal, and later a contributing writer for Time Magazine. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper’s, and other publications.

He has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, the University of Oregon, and the Chuckanut Writers Conference in Bellingham, Wash., and has spoken to audiences from coast to coast. A former resident of Seattle, he now lives in Manhattan with his wife, a neonatologist, who is also the author of the nonfiction memoir, Almost Home, which, as Erik puts it, “could make a stone cry.” They have three daughters in far-flung locations and professions. Their beloved dog Molly resides in an urn on a shelf overlooking Central Park, where they like to think she now spends most of her time.

Source: eriklarsonbooks.com